Articles by Tim Lee

Timothy B. Lee (Contributor, 2004-2009) is an adjunct scholar at the Cato Institute. He is currently a PhD student and a member of the Center for Information Technology Policy at Princeton University. He contributes regularly to a variety of online publications, including Ars Technica, Techdirt, Cato @ Liberty, and The Angry Blog. He has been a Mac bigot since 1984, a Unix, vi, and Perl bigot since 1998, and a sworn enemy of HTML-formatted email for as long as certain companies have thought that was a good idea. You can reach him by email at leex1008@umn.edu.


Googlers for Paul

by on January 8, 2008 · 5 comments

Declan reports that Silicon Valley hasn’t lost its libertarian streak:

Boyapati isn’t the only Googler who’s braving New Hampshire’s sub-zero winter to advance Paul’s message of lowering taxes and government spending, opposing the Real ID Act, and withdrawing from Iraq immediately. Paul is the only Republican candidate for president who opposes the Iraq war and occupation.

One other former employee and five current Google engineers, who work on projects including an Asian version of Google Answers and the design of data center hardware, are staying with him in a four-bedroom group house close to Hackett Hill Road near Manchester. Boyapati says he doesn’t know any Googlers who have come east to volunteer for other candidates…

In addition to having broad support online, Paul is by far the most popular Republican candidate among Google employees. He received $22,650 in contributions from them, according to Opensecrets.org, compared with a mere $2,300 that Googlers gave John McCain. They gave no contributions to Mike Huckabee or Mitt Romney.

Google employees, in fact, represent the single top contributor to Ron Paul’s campaign. They narrowly beat out men and women in the U.S. Army and Navy, who are in second and third place, respectively.

Obsessive Fan Mindset

by on January 7, 2008 · 17 comments

Another MSM smear of Ron Paul…

I, for one, don’t know any Ron Paul supporters like that.

Reader Timon has a comment that’s worth highlighting:

The other, and for me one of the foremost innovations from the freedom perspective is that Open Source is a real-world demonstration of how people can accomplish huge complex tasks without the involvement of any whip-cracking authority. That may or may not be conservative but it is definitely libertarian. Whether it is sufficiently technically ‘radical’ it is organizationally unprecedented in history, truly revolutionary in that sense.

During the 20th Century, policy debates often centered on power struggles between governments and corporations. The capital-intensive nature of a lot of industries meant that in many cases, policies that reduced government power often meant that corporations had a large influence over peoples’ lives. As libertarians, we pointed out the advantages of this arrangement: first and foremost, you have a choice about which businesses to patronize, but no choice about whether to deal with the government. It’s much better to allow the big companies that own papers liks the New York Times and the Washington Post compete for your readership than to put the government in charge of the newspaper industry. And of course, the government is a couple of orders of magnitude bigger than the largest corporations, so even if raw “bigness” is your only concern, concentrations of government power should concern you a lot more than concentrations of corporate power.

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Technology Advice

by on January 5, 2008 · 12 comments

If you get your technology advice from the Orlando Sentinel, I’m pretty sure you shouldn’t be deleting random files from your hard drive:

Photos, videos, music and unneeded applications — and the files that you download to install them — can also slow down and clutter up your computer.

Go to the place where you store these items on your computer, and choose the view them by “details.” or “list,” if you are on a Mac.

Then click on “Size” to sort your items by how big they are. Try to delete as many large files as you can. If you are unsure about deleting a file, looking at the “Date Modified” field to see the last time you used that file may help you decide.

The same thing goes for .exe files, which are the files you download to install a program. Once you have a program installed, there’s no need to hang on to the .exe file that you used to install it. The equivalents on a Mac are .dmg files.

Wow. That doesn’t seem like a very good idea to me.

Update: The story seems to have been modified with some less-terrible advice:

An earlier version of this column may have given the wrong impression about deleting .exe files as a way to clean up your computer. This may have been misinterpreted as an instruction to delete ‘all’ .exe files which was not my intention. You should be very careful when deleting these files and only delete ones that you are sure were used to install a program. A good way to identify these files is if the filename contains the word ‘install’ or ‘installer.’ These installer .exe files are typically downloaded from the Internet, often saved to your desktop and should not be confused with the .exe files used to run programs on your computer. If you have any doubt as to whether an .exe file should be deleted or not, don’t delete it. Deleting the wrong .exe files can seriously harm your PC.

Better late than never, I suppose.

As Adam guessed, I have some opinions about this Jaron Lanier piece on open source software. Like most of what Lanier writes, mostly found it incoherent. Lanier makes extensive use of biological metaphors, but if we’re going to make an evolution metaphor, the messy open source development pattern certainly has more in common with evolution than the rigid hierarchy of a traditional proprietary development process.

But the real problem with Lanier’s essay is that I don’t think the question makes any sense in the way that he phrases it. He’s interested in the origins of “radical creativity.” But radical creativity is almost always the product of a brilliant individual or small group creating something new from scratch. For such an individual, the open-vs.-closed dichotomy doesn’t make a lot of sense. His ability to produce a breakthrough product (think Marc Andreesen with Netscape or Larry and Sergei with Google) doesn’t have anything to do with what license he plans to release it under upon completion. As it happens, a lot of innovative stuff is produced by for-profit companies, and for-profit companies often believe they can make more money releasing their product as a closed-source product than an open-source one. But any one of those companies could have released their products as open-source products, and indeed some for-profit companies do.

Where the open-versus-closed debate matters is what happens after version 1.0 is released. Generally speaking, open software provides a better platform for subsequent development than closed products. Proprietary software products are the captives of their initial developers. If the initial developers become incompetent or decide that continued development is no longer profitable, the entire ecosystem surrounding that product can die. As a result, building a product atop a proprietary foundation is always a huge risk.

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Happy New Year

by on December 31, 2007 · 4 comments

Music Patents

by on December 24, 2007 · 4 comments

Ike Elliott offers a great analogy:

Tim asserts that copyright should be adequate protection for software, and that patents for software are harmful because they inhibit innovation. I find that argument far more fascinating.

I found myself comparing software to music. Music is not patentable, but it is subject to copyright. So, at the risk of oversimplifying, Tim is proposing that we treat software in the same way that we treat music.

Imagine if music were patentable…what kind of changes would it have caused in the music industry? I imagine that somebody along the way would have patented the twelve-bar blues, the classic blues form that frames so many great blues songs. For the ensuing twenty years, nobody else could have written a twelve-bar blues song without “licensing the blues” from the patent holder.

To me, the patentability of music would have created a grave inhibitor to creative expression, and would have deprived the world of many great musical works. I would definitely not favor patenting music.

Don Marti has drawn a similar analogy to literary patents. One can imagine a world in which novelists file patents describing the plot twists and other literary techniques they use in their novels, requiring other novelists to license the patent if they want to use that particular literary technique in their own novels. Needless to say, I don’t think very many novelists would be in favor of this plan, although the patent bar and some large book publishers might be.

One of my favorite podcasts is David Levine’s Hearsay Culture, which I stumbled across this summer. I noticed recently that back in March he did a podcast with Richard Epstein, a giant of classical liberal legal thought, back in March, so I’ve been listening to that episode.

Epstein has long been one of my favorite libertarian thinkers. On most subjects, I find myself nodding along in agreement. But when he gets to the application of patent and copyright law to the technology industry he has a tendency to go off the rails pretty quickly. This is apparent in his Hearsay Culture interview as well. For example, about 25 minutes into the interview, he talks about the problem of patent thickets in the tech industry thus:

The question is, how do we know when there’s a blockade? Well, a lot of it depends on the topology of the landscape if you’re looking at physical resources, and the same thing will happen with respect to intellectual property. So just to take the general question, let’s start with a background on the tech side before we get to the documentary film. Do we think that the addition of any new patent in any particular area is going to increase or reduce the blockade effect of other patents? And the answer to that question is frankly my dear we don’t know in the abstract but the betting would be that the more patents you have, the fewer the blockades. Now why is that? If you imagine these things as being in an array. Suppose you have to go through six steps in order to get a process, and at every one of these steps you’ve got four alternatives. Well if that’s what’s happening, you’ve got a lot of choices at each stage and you’ll be able to bargain one off against another and presumably find a path through this thicket. Somebody comes up with a new invention, now instead of having four alternatives at the first stage you may have five. Or you’ll get a new invention which means that you don’t have to bargain with anybody at stages 6 or 7. And if that guy comes in with a blockbuster patent, he will not be able to charge more than the old 6 and 7 combination could have been able to do, and if he’s really good somebody else is going to come into that same field because the patent doesn’t give you a monopoly over the functionality as such, only the device or the invention that allows you to actualize that functionality. I mean, that’s not 100% correct, but it’s 95% correct for these particular points. Samuel Morse could patent the telegraph, he could not get control over all uses of the electromagnetic spectrum. So new inventions in the tech area generallly seems to me to expand possibilities by giving you alternative stepping stones through the thicket.

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Jason Schultz weighs in on whether the Richter Scales video was fair use:

Hard to say for sure, but in the end, it probably is a fair use. On the one hand, the Video does use Lane’s photo without permission or attribution. Plus, this is how Lane pays her rent. She takes and licenses photos for a living. Uses like this, if they were to become widespread, could potentially undermine her livelihood and thus, her ability to take photographs like the one used in the video. Thus, there is an argument under Factor 4 that this is not fair.

However, the other three factors probably weigh in the Video’s favor. First and foremost, what The Richter Scales did was what copyright law often calls “transformative use” — using other people’s copyrighted works in a new way that adds creativity and cultural value. And while perhaps not a direct parody of Lane and her specific work, the inclusion of the photograph in the video was part of an overall commentary on the world that Lane photographs and the people in it. One could even argue that Lane is a part of that world herself and thus, implicitly part of the subject matter TRS intended to comment on. (Note: I haven’t talked to TRS, so I have no idea what they intended). Some courts have found fair use in similar cases involving Barbie dolls, use of concert posters in a book about the Grateful Dead, the Mastercard “Priceless” ad campaign, a Family Guy parody of Carol Burnett, and 2 Live Crew’s cover of Roy Orbison’s “Pretty Woman.” Of course, other courts have come out differently, such as one decision over the use of Dr. Seuss-like rhymes in a book about the OJ Simpson murder trial. Still, overall, I think a court would find the video transformative and thus, that Factor 1 weighed in its favor.

Factors 2 and 3 would also probably weigh in favor of the Video. The photo is a published work depicting a factual occurrence (a person at a Web 2.0 event). It’s also being used for that purpose — to comment on the person being at the event. The amount of the photo taken is, of course, the whole thing, but with photographs its hard to apply this factor since few photos are useful in pieces. Courts have also found that when it is necessary to use another person’s entire copyrighted work to make your own commentary, that weighs in favor of fair use. Given that three of the four factors are likely in the Video’s favor (including the critical Factor 1), the Video is probably fair and not illegal.

As Schultz points out, this isn’t really the sort of issue copyright law was designed to resolve. Norms are likely to be more effective than laws in this sort of situation. Given that the video wasn’t a big money-maker, it’s not reasonable to expect them to pay her for using the photo, but it is reasonable to expect them to give her credit. And if they fail to do so, it’s worthwhile for the tech blogosphere to criticize them for failing to respect those norms.

Computing in the Cloud

by on December 21, 2007 · 0 comments

I’ve been invited to participate in a panel at Princeton’s “Computing in the Cloud” conference on January 14-15. The topic of my panel will be:

In cloud computing, a provider’s data center holds information that would more traditionally have been stored on the end user’s computer. How does this impact user privacy? To what extent do users “own” this data, and what obligations do the service providers have? What obligations should they have? Does moving the data to the provider’s data center improve security or endanger it?

This is an interesting and open-ended question, and one about which I don’t have a lot of settled opinions. I’ll be speaking alongside two law professors, so I’ll probably leave any legal analysis up to them and focus more on policy or technology issues. I’ve written about this in the context of Facebook over at Techdirt; those posts may make a good starting point for my contribution to the panel.

But I’m curious what TLF readers think about these questions. And in particular, what are the must-read articles or papers on the subject?

It looks like it’ll be a fascinating couple of days, so if you’re in the area, be sure to sign up so you get some free lunch.