During my recent debate with Jonathan Zittrain about his book The Future of the Internet, I argued that there was just no way to bottle up digital generativity and that he had little to fear in terms of the future of the Net or digital devices being “sterile, tethered,” and closed. I noted that the iPhone — which Jonathan paints as the villain in his drama — is the perfect example of how people will make a device more generative even when the manufacturers didn’t originally plan for it or allow it. I went so far as to joke that there were countless ways to hack your iPhone now, so much so that I wouldn’t be surprised if one day soon our iPhones would be taking out the trash and mowing our lawns!

Well, I was engaging in a bit of hyperbole there, but I am consistently amazed by what people can make their digital devices do. Witness the fact that some enterprising soul has found a way to turn the iPhone into a flute! Better yet, they have trained a group to play “Stairway to Heaven” using that application!! It’s enough to make one wonder: How long before someone converts the iPhone into a bong?

[ Uttered to JZ in my best stoner voice…] “Seriously, dude, generativity is alive and well. Now chill, and pass the iBong.”

This afternoon at the New America Foundation, Jonathan Zittrain and I engaged in a spirited debate about his provocative new book, The Future of the Internet and How to Stop It. As always, Jonathan gave an us an interesting and highly entertaining show, and it was a great honor for me to be given the opportunity to provide some feedback about his book. I’ve been quite critical of the thesis that Jonathan sets forth in his book, and I have discussed my reservations in a lengthy book review and a series of follow-up essays here and elsewhere. (Part 1, 2, 3, 4, 5).

Jonathan opens with about 45 minutes of remarks and I come into the conversation around the 49 mark of the video. Michael Calabrese of NAF also has some comments about Jonathan’s book after I speak and then there is some interaction with the audience.