Framing the DRM Debate

by on March 20, 2007 · 10 comments

Don Marti fires back at our own Solveig Singleton and her post on “deconstructionism” and DRM:

“Fiddling with the language” won’t win the DRM debate, but getting the right terms into common use will help keep it from being harder than it has to be. Framing does work. Archer Daniels Midland’s lobby groups help keep sugar quotas in force in the USA, even though they raise prices for sugar customers and hurt opportunities for mutually beneficial trade with sugar exporters. The winner? The corn syrup industry. Archer Daniels Midland can’t run its high-fructose corn syrup business at a profit unless the government puts heavy-handed restrictions on trade in sugar. And, no, this Decatur, Illinois company is not wasting its money on “deconstruction”.

Here’s an example. The “Sugar Alliance” makes their side the “hard-working farmers” and the anti-quota side “multinational food conglomerates”. Just as the proponents of sugar quotas and DRM have learned to choose language that works for their side, advocates for free trade and free speech should also be careful to choose language that works for our side. We can’t let them keep “farmers”, “entrepreneurs” and “artists” and leave us with “conglomerates”, “hackers” and “pirates”. Singleton does point out that we shouldn’t be using awkward verbiage just to pry an argument out of the other side’s framing. Fortunately, free speech advocates have an advantage over the DRMers here, because most of our expressions are short and vivid, and most of theirs aren’t. If you want awkward, try this: “The best policy going forward is for legislators to leave entrepreneurs’ experiments with DRM alone, while continuing to support copyright with appropriate enforcement institutions and actions.” (PDF) What? It looks like this is supposed to mean something like “Legislators should continue to ban circumventing DRM,” but framers of pro-ban arguments don’t say “ban”. Thanks to lobbyists, the USDA won’t release a document that tells people to “eat less” of a US agricultural product, even high-fructose corn syrup. And DRM proponents avoid talking about systems that “restrict” or “prevent”.

  • http://www.redmonk.com/jgovernor James Governor

    I frame DRM as digital lard. it clogs up the arteries of high value digital lives. why would you eat lard by choice, and become far less healthy in the process. DRM = digital lard

  • http://ipcentral.info Noel Le

    Thats the kind of response Tim was looking for, as was Jim Harper when he was fishing for comments on PFF last week.

  • Doug Lay

    DRM is a sad attempt to artificially re-create a formerly significant real-world constraint (difficulty of replication) that has been obliterated by the march of technology. It is backward-looking, consumers don’t like it, technologists mostly loathe it, and it is likely headed for history’s crapper no matter what our star-struck, techno-ignoramus legislators try to do.

  • http://www.redmonk.com/jgovernor James Governor

    I frame DRM as digital lard. it clogs up the arteries of high value digital lives. why would you eat lard by choice, and become far less healthy in the process. DRM = digital lard

  • http://ipcentral.info Noel Le

    Thats the kind of response Tim was looking for, as was Jim Harper when he was fishing for comments on PFF last week.

  • http://www.pff.org Noel Le

    Surprise, surprise. A TLF post on framing results in framed responses:)

    Doug, did you read those articles I suggested.

  • Doug Lay

    DRM is a sad attempt to artificially re-create a formerly significant real-world constraint (difficulty of replication) that has been obliterated by the march of technology. It is backward-looking, consumers don’t like it, technologists mostly loathe it, and it is likely headed for history’s crapper no matter what our star-struck, techno-ignoramus legislators try to do.

  • http://www.pff.org Noel Le

    Surprise, surprise. A TLF post on framing results in framed responses:)

    Doug, did you read those articles I suggested.

  • Anonymous

    I haven’t had any trouble with my iTunes DRM, which is the only form I purchase. However, this morning I was reading a post on composer Shelly Palmer’s blog, about the harm that DRM may do to musicians and the “new” creativity. His point is, re-mixing and sampling is a thriving form of creativity. What happens when DRM-ed music makes this impossible?

    It’s worth considering. What if artists couldn’t edit and play with music, to make new songs? Wouldn’t the music industry be missing a lot of material?

    • Jess
  • Anonymous

    I haven’t had any trouble with my iTunes DRM, which is the only form I purchase. However, this morning I was reading a post on composer Shelly Palmer’s blog, about the harm that DRM may do to musicians and the “new” creativity. His point is, re-mixing and sampling is a thriving form of creativity. What happens when DRM-ed music makes this impossible?

    It’s worth considering. What if artists couldn’t edit and play with music, to make new songs? Wouldn’t the music industry be missing a lot of material?

    - Jess

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