What About File Sharing?

by Tim Lee on May 13, 2006 · Comments

My co-blogger Solveig Singleton has a new paper out about the DMCA. I’ll probably have some crticism of it in a future post, but I wanted to start off with a point I find pretty persuasive:

In the world of some libertarian DMCA critics (including a slimmer version of myself, some years back), legal barriers enforced in lawsuits against myriad copying individuals are a mainstay. More vigorous enforcement is sometimes presented as an alternative to the DMCA. With respect to my peers, this is non-responsive. The problem that the DMCA is intended to solve is in large part the limited usefulness of ordinary enforcement mechanisms; it does not solve the problem to invoke them…

The Internet lacks a dispute resolution mechanism appropriate to quickly resolve millions of small-value disputes, especially where the parties are geographically dispersed. The courts have serious limitations here; they are far too slow and far too expensive. They will work as a last resort in disputes where large value is at stake. This simply does not describe illicit personal copying by individuals. One sometimes hears commentators speaking as if it would work to just crack down on individuals in a few token, high-visibility cases. But this is neither fair to those individuals, nor will it deter. Study after study of deterrence suggests that harsh penalties do little or nothing if the probability of being caught remains below a certain threshold.

In my paper, I cited lawsuits against file-sharers as one possible weapon available to the recording industry, but I did so half-heartedly. I fear SIngleton may be right about the futility of ever more lawsuits as a means of deterring casual infringement. When I was in DC for the Cato copyright conference, I had lunch with two good friends who are fresh out of college. When I told them the subject of the conference, the conversation soon turned toward their own experiences with peer-to-peer files sharing. They told me–with no apparent guilt–about the peer-to-peer programs they use to download copyrighted content.

Now, these friends would be mortified to be caught stealing a candy bar at 7-11. And in my experience, their attitude is typical of young adults their age. I didn’t ask, but if I had, I suspect they would have been nonchalant about the possibility of being hit by an RIAA lawsuit. The odds of being caught are pretty low, and for logistical and PR reasons the RIAA can’t be too draconian with the people they catch.

Laws only work if the overwhelming majority of people obey them voluntarily. If most retail shoppers saw nothing wrong with shop-lifting, there’s little or nothing the police could do to prevent it. They simply wouldn’t have the time or resources necessary to prosecute everyone caught with a candy bar in their pocket. And once this fact became widely known, customers would become increasingly brazen about their theft. What allows the deterrent effect of anti-shoplifting laws to work is the fact that shoplifting is rare enough that the police can afford to prosecute most of the people caught doing it.

Singleton’s solution is digital rights management, which she conceives as the high-tech analogue of putting the merchandise behind the counter. The problem, as I’ve argued repeatedly, is that DRM doesn’t actually have any significant effect on peer-to-peer file sharing. Hence, her solution is every bit as “non-responsive” as the lawsuit-happy approach she criticizes.

But I’ve already beaten that horse to death. I’d like to turn some attention to the other side of the coin: critics of the DMCA, and of the RIAA’s lawsuits. Most of them claim that they’re not anti-IP as such, yet I haven’t found their proposed alternative mechanisms very persuasive. Consider the Electronic Frontier foundation, an organization that does a lot of work that I support. They’ve proposed collective licensing (voluntary if possible, compulsory if necessary) that would give users an unlimited right to share songs. The revenue would be distributed to artists and/or labels in proportion to the popularity of their songs.

But it’s not clear to me that this solves the central problem solved by file-sharing, namely that we don’t have an effective mechanism for punishing rule-breakers. If the RIAA took EFF’s suggestion and organized an ASCAP-style collective licensing scheme, it’s not clear to me how the enforcement problem would get any easier. I see two possibilities: a per-song rate, and a per-user rate.

The per-song rate wouldn’t differ significantly from the status quo. There are already per-song download services. Although I think DRM is probably holding these services back to some extent, I don’t think we can reasonably put them at fault for the prevalence of illegal peer-to-peer networks. Lower prices would certainly reduce the allure of file-sharing networks, but in any event, you’re still going to have a significant number of people who break the law. And if we don’t have some way of penalizing them, what incentive will they have to pay for music?

Licensing individuals is a more interesting idea. In this scheme, you’d pay a flat monthly fee for the privilege of unlimited use of peer-to-peer networks. This might lure more people over to legit services, since they could offer the same functionality as the now-illegal sites. But there are two problems with this scheme. First, you still are going to have to sue (or otherwise penalize) those who continue using the illegal services. Although the number of them will be reduced somewhat, it’s still likely to be too large to sue all of them. Secondly–and more seriously– you’d have to have some way of dealing with account-sharing. Since there’d be no limits on the number of songs you could download with a single account, families, friends, neighbors, and others would likely pool their money to purchase a single license. This kind of sharing would be very difficult to detect and police. But if it wasn’t policed, it would likely get out of hand, as the per-license rate would have to rise, and anyone playing by the rules and not sharing would begin to feel like a chump.

So it’s not clear to me how collective licensing would get you away from suing people. Which, as both Singleton and EFF seem to agree, isn’t going to deter people.

Another position is that peer-to-peer file sharing isn’t actually hurting the music industry. Steve R recently pointed out an analysis by Felix Oberholzer and Koleman Strumpf (the latter was a visiting fellow at Cato while I was there) purportedly showing that peer-to-peer networks haven’t harmed record sales. I need to read up on that, but I’ll confess I’m skeptical. Doing an empirical analysis like that seems extremely difficult given that there’s no good control group available. And I suspect that non-collapse of the music industry over the last 6 years is due more to older consumers who aren’t as comfortable with the technology. Over the next 20 years, more and more consumers will have gone to college post-Napster. I don’t believe that my generation will buy CDs (or patronize iTunes) in the same volume as my parents’ generation.

Yet another position is the position that we should abandon intellectual property entirely. Whatever the merits of that position, most prominent critics of the RIAA insist that it isn’t their position.

So where does this leave us? Are there other possible enforcement mechanisms that ought to be explored? Can the music industry survive with widespread casual music sharing? If not, is intellectual property in music doomed?

Comments Posted in: DMCA, DRM & Piracy

  • Barry
    Solveig, there is only one difference that a legalized DeCSS would make: I'd be able to legally use DVD software that allows me to play the disc in any region I want to, or skip past advertisements and the old-and-tired FBI warning. I could even write such software myself, including the features I like and want - and I'd be able to make said DVD software available for free and under an open source license.

    Every movie out there has already been pirated, legal DeCSS or not, and they're tremendously easy to find and download, legal DeCSS or not. Will not having to see the FBI warning one... more... time... really induce me to rip off movies? No, of course not. That's ludicrous. But it *does* mean one less avenue for the content industry to force-feed me advertising (notwithstanding the fact that I've already paid them my pound of flesh to watch the content I want to watch).

    If you really want to talk about setting up reasonable boundaries, try talking to the content industry. They plead with Congress that DRM is the only way they're going to protect their investment, but when they get the legislation they ask for (DMCA), they can't help themselves but to sprinkle on a little extra "screw you" to the legitimate consumer. They add extra features that force advertising down our throats or impose autodeletion on legally recorded content; or they implement oppressive, buggy, and unsafe DRM schemes (furthermore, ones that ironically violate the licensing terms of open source software); or they implement their DRM without regard for early adopters of new technology. And yes, I have actual concrete examples I can provide of each of those "screw yous" that I just mentioned.

    If the content industry could be trusted, then nobody would be complaining about DRM except the pirates. But the content industry is no more trustworthy than the pirates, for the reasons I've already described above, and what you're seeing from legitimate consumers like myself is the beginning of the backlash. My worry is that the backlash won't become mainstream until it's too late (that being when the technology infrastructure relies upon the content industry's chosen DRM scheme being implemented by the hardware).
  • Solveig, it is just a phase for a lot of people. Owning the CD is a lot nicer than having crappy 128kbps MP3s. Not only that, but there is nothing that will sink a good job faster than a RIAA/MPAA/BSA lawsuit to deal with. The key, as I've said before, is more law enforcement involvement at all levels. Combine that with much lower, but stricter, fines and you've got a winning combination. Most juries won't feel right about hitting up a student for several million dollars of statutory damages for trading even 1,000-5,000 songs. If you dropped the damage down to a few dollars per song, or $15-$20 per movie, I think you'd find juries a lot more willing to make a simple open and shut case out of offenders.


    The reason that the lawsuits have proven ineffective so far is that they don't come in a steady stream. It's like a carpet bombing, when what the copyright holders need is a smart-bombing campaign that hits individuals with hefty fines that juries can feel justified in handing down. What I would propose would be campus networks periodically scanning for large bursts of bandwidth and then start monitoring it if they're sustained for long periods of time. Then turn the records over to the local cops who walk up with a ticket for several thousand dollars.

  • Tim
    The friends I had lunch with aren't college students. One of them graduated in 2004 and the other in 2005. So they both have full time jobs and pay for their own hardware and software.

    And I agree that a legalized Napster and Grokster would lead to more piracy. I still don't understand how legalizing DeCSS would increase the amount of peer-to-peer file sharing.

  • I think the interviews with college students may be a bit misleading... As with taxes, their opinions on this subject are likely to change as they get older.


    Ordinarily, I would agree with you. My opinions about various financial issues have certainly changed in the 6 years since I graduated college. I have a lot more money to spend now than I did then.



    But I still think CDs are too damn expensive. I'll buy CDs from three artists (Live, Tool, and Joe Satriani), but that's it. If I want anything else, I'll take my chances on P2P, even though I now have the means to buy the CDs.



    I'd be happy to avoid the risks and the hassles of P2P. But all of the online music stores have either A) DRM, B) low quality, or C) both. No thank you.



    High prices help black markets grow. The music market is no exception.

  • My two cents on this, which I've brought up before, is that none of this matters in the slightest once the recording industry realizes they need to change business models away from selling music directly to using the music as a promotion to sell other things.

    So, I'm less worried about all of this, because I believe pretty strongly that new record labels will come along and make the new business model clear -- and kicking and screaming the old record labels will either figure it out or go out of business.

    In such cases, a mechanism for stopping file sharing becomes pointless.
  • Solveig Singleton
    I think the interviews with college students may be a bit misleading. Students have a lot of time on their hands compared to normal people. And they often do not pay for their own hardware and software (their parents do, or they use school products). Nor do they have a lot of money to pay for content. So they can afford to mess around with unlicensed P2P; the risk of contracting a nasty virus is worth it, and they have the time to seek out anonymity. And the whole thing is fun for them. Once they get out, on the one hand they will be paying big bucks for their own hardware and software and become more wary of risks to this stuff. And they will have jobs that generate enough money to pay for routine consumption of content. And some of them will be working in fields related to content rights... writing, scientific research, photography, and so on. As with taxes, their opinions on this subject are likely to change as they get older.

    The black market in unlicensed tunes is a big one, certainly, but it is small compared to what it would be if we were dealing with a legalized DeCSS and a legalized Napster or Grokster.

    I do agree with Mike T that this is to a certain extent Hollywood's big bad businessman villain come back to haunt them. But again, if they are mistaking the market so badly, it is an opportunity for a new breed of creator to come in and do business a different way... and we see some small experiments, but not a lot of well-funded ventures.

    I view software developers as being creators along with every other kind of creator. I do not view anyone as expendable; I just do not think all these problems are being cited are on the same scale. Again, I think that trying to come up with boundaries for the market here is in everyone's interest, and it is not going to be easy.
  • Basically, nobody knows how to solve it all. The immediate problem of DMCA critics is demonstrating the DMCA is a harsh and stifling law, not a workable solution. Solveig's paper is characteristic of the counter-offense, the reply that:
    1) Nobody important gets hurt (Felten's "Happy Endings")
    2) If somebody did get hurt, they were dirty pirates anyway (DeCSS aspersions)

    But this doesn't get us to a solution.
    I think licensing does have some promise, but it's hard to pursue. I've heard that the idea is discussed at times. But there's a lot of inertia in trying to preserve the old system. I doubt any theoretical proposal would be accepted, and I suspect any experiment would have to keep under the radar. Sometimes the future is utterly unpredictable.
  • Tim,


    The reason it is not working is that the government doesn't really care about enforcing the law. If IP is property, it should be subjected to all state property laws and local and state law enforcement should be required to enforce it accordingly. Right now we have what, a few hundred cops enforcing the law for the entire country?


    We need at least several thousand more cops involved in these investigations. We need to get the state police, campus police and others involved. There is no reason why campus IT people cannot run packet sniffers on their networks and report such activity to law enforcement. Even fining them $10/song would increase the cost to the point that students could no longer do it.


    I'm also sad to say it, but I agree with James DeLong that metered bandwidth is the only thing that will solve most of this.

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